Monday, September 30, 2013

Hamlet_Entry 1_Week 5

Shakespeare, unquestionably, was a man with a mind of pure imagination. His legacy has lived on for centuries due to his numerous plays as well as sonnets, all of which contain both denotative and connotative implications which have fascinated generation after generation. People have interpreted his writing in several different manners that have all resulted in several different conclusions.


One of his many plays, Hamlet, certainly boasts of his ability to write about such scandalous and such dishonorable characters that seem to intrigue audiences to no end. The main character, Prince Hamlet, was made to believe that his father had died of what the kingdom was told to be of natural causes. His uncle, Claudius, does not hesitate to marry Hamlet’s recently widowed mother, Gertrude, and proclaims himself to be the new king of Denmark. The black veils worn at the recently deceased king’s funeral had been quickly replaced with the white veil worn over Gertrude’s face at her wedding. Her son despises the sudden act of incest, and soon mixes his feelings of hate with that of revenge towards his uncle after the ghost of the late king himself informs Hamlet of his father’s purposeful death by Claudius.

Many people are taken aback by the events that take place in the first fifty pages of the play. Sure- the story is great. The characters are horrendous. And the plot is brilliant. But what can one learn from such a tale as this? One can certainly take away the obvious things, such as: Murdering a relative can often lead to the downfall of a family. Incest is kind of gross and something that no one wants to think about. Ghosts, especially one that originally was your father, are not the most pleasant of surprise visits.

Shakespeare did not write Hamlet simply to point out the obvious “do’s” and “don’ts” of life. It is more than a story and less of a realistic account. Perhaps one can discover what Shakespeare really wrote and intended for his audiences to understand, but only at the end of the script.


“The play’s the thing Wherein I’ll catch the conscience of the King.” 

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